About the work

A closer look.

You get one portrait, and the read that makes it work. Two ways in. Send a photo you want repaired, or three lines about the face you want made: who they are, what they are to you, and the one thing they would never do. I reply first with what I see. Where the eyes point against where the light is. Where the catchlight sits and what should have made it. The tell that makes a face look dead or pasted on. If the lines or the photo give me nothing, I say that and we stop, and the read is yours to keep either way. If we go ahead you get one high-resolution portrait file you keep, plus two or three sentences naming what was wrong and what I changed. One revision. What I won't do: invent a likeness of a real person who hasn't agreed to it, or pass a made face off as a photograph of something that happened.