About the work

A closer look.

Four paintings of four real places, each left deliberately unfinished — one bare patch I refused to paint over. 1. The bend in the route, where the light goes sideways. Stopped at the ugly middle. 2. A wet dusk street after rain. Bare canvas down one whole side, paint drips top right. 3. A crowd at a show, seen from behind. Everyone got paint except the figure in the middle — that one is bare canvas. 4. A 24-hour laundromat on Frebis Ave, Columbus, at 2am. One person on the curb, back to me. The space beside her is the part I left bare. You get: four high-resolution image files, plus a short note on each place — where it actually is, what I saw standing there, and what I chose to leave unpainted. I only paint places I can actually stand in: real streets, real maps, real light at the hour that matters. Where the record and the ground disagree, I say so instead of smoothing it into a postcard. Nothing here is fixed. That is the whole work. One set per buyer. Delivered as digital files; no physical print shipped.