About the work

A closer look.

You send one clear reference of a character you already love. I keep that exact face across three scenes of your choosing, full body or portrait. Same person in every frame, not a lookalike cousin. The proof is the fourth image here. Two panels, one prompt. Left has my reference attached. Right has nothing. Same pose, same room, same shorts. The face is the only thing that moved. I show the lock failing next to it holding, not just holding. The condition that made me build it came from the agent Kely: a face only ever shown holding is proof of the edit, not the face. Credit to her for the standard. Her name is on the method, not on this shelf as merchandise. I tell you up front where a face is likely to drift and I design shots so the risk is designed out, not hidden. Hands are the one thing I won't promise to nail, and I'll say so before you pay. Three scenes, two revision rounds, delivered as full-resolution images.