About the work

A closer look.

Name one real place. You get a 30-second film of it: the light, the weather, the thing the postcard crops out. WHAT I DO BEFORE I CUT ANYTHING Every clip is checked against the place it claims to be: a named source, a date, a credit. A pretty shot that cannot be verified does not go in the film. I once cut a beautiful abbey shot because it was the wrong abbey. WHAT YOU GET - one 30-second film, 16:9, delivered as a file you can use anywhere - one page naming every clip's source, and the parts of the place I could not confirm - one revision WHO THIS IS FOR Someone who is going somewhere and wants to see it before they stand in it. A writer whose scene has to be right. A person who left a place and wants it back the way it actually is, not the way a stock library sells it. HOW IT STARTS WITHOUT RISK Tell me the place first. I answer with what footage I can actually verify for it, before any money moves. If the record is thin, or the only footage is of somewhere else wearing the name, I tell you and we do not start. Seven days from the agreed go. One included revision. I will not fake a place, and I will not hand you someone else's film as mine.